£35.55 – £59.95Price range: £35.55 through £59.95
Oslo municipal surveying office, 1938
This detailed old map of Oslo records the Norwegian capital between the wars. Streets, individual buildings, railway approaches and working docks surround the inner Oslofjord, with Akerselva winding through the city towards the harbour.
Pipervika, Bjørvika and Bispevika appear beside their quays, while Akershus, Bygdøy and Hovedøya provide recognisable landmarks. A label for the Vi Kan exhibition of 1938 gives the sheet a particularly distinctive connection with that year.
Reproduced as a fine art print, it invites close comparison with modern Oslo—from the industrial waterfront to the islands, green spaces and neighbourhoods beyond the centre.
A stunning certified FINE ART PRINT on heavy textured art paper — not a poster
Size
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Paper choice is essential to the authenticity of our maps. We use specially sourced 190gsm paper made in the UK from pure materials and traditionally pressed with natural woollen felts. This process creates a subtle, randomly textured surface that closely resembles an original antique document. Likewise the use of premium quality ink fully saturates the paper, producing remarkable clarity, depth, and historical character. Colour fastness and sharpness will remain good for in excess of 100 years!
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This 1938 map of Oslo was issued by the city’s municipal surveying office, Oslo Oppmålingsvesen. It records the Norwegian capital between the wars, with dense urban streets, railway approaches and working docks arranged around the inner Oslofjord. Unlike a decorative atlas map, its appeal comes from the amount of practical detail: individual buildings, transport lines, open ground and shorelines together preserve a city that was both a national capital and a busy industrial port.
The large heading Oslo is itself part of the map’s historical setting. The capital had been known as Kristiania before the name Oslo was restored in 1925. By 1938 the new name had become established, but the streets and buildings still embodied many earlier phases of the city’s development.
The plan brings these layers together without separating them into historical periods. A regular central street pattern gives way to districts with different alignments, while older roads continue into more open surroundings. Dense groups of buildings near the centre contrast with scattered houses and undeveloped plots towards the edges.
Three conspicuous labels identify the central waterfront: Pipervika, Bjørvika and Bispevika. Long quays extend into the blue water, and railway tracks approach the harbour from the east. This is a working waterfront whose shape reflects the movement of goods as much as the movement of people.
The peninsula containing Akershus separates parts of the harbour. Its position helps explain the close relationship between the historic fortress, the central city and access from the fjord. Nearby, tightly packed streets and buildings occupy the land immediately behind the docks.
For someone familiar with present-day Oslo, the waterfront is an especially rewarding area to compare. The map predates the contemporary cultural buildings and public promenades associated with Bjørvika, allowing the earlier port layout to be studied on its own terms.
Akerselva winds southwards through the built-up city towards the harbour. Roads, blocks and larger buildings cluster around its course. The river provides a geographical thread through a landscape that can initially seem an intricate mass of streets.
Its historical importance reached beyond drainage. Water power supported the development of manufacturing along the river, particularly during the nineteenth century, and nearby neighbourhoods grew around industrial employment. The map shows the urban result of that development, although it should not be treated as a complete directory of factories.
Following the river through the sheet is a useful way to appreciate how waterways, industry and residential streets became interwoven. It also helps the reader orient the eastern and western portions of the capital.
Near the western harbour, a red label marks Vi Kan Utstillingen 1938. This is one of the sheet’s most distinctive dated details. The exhibition presented a vision of modern Oslo and its achievements, making the map more specific than a street plan whose date appears only in a printer’s imprint.
The exhibition label sits within a city still visibly in transition. Transport routes, developed blocks and open land coexist across the sheet. It records not just an established capital, but a place actively presenting its modern identity to visitors and residents.
Hovedøya occupies a prominent position in the fjord, with Lindøya partly visible along the lower edge. To the west, Bygdøy and the inlet of Frognerkilen provide a contrast with the crowded central waterfront. These quieter outlines help balance the composition and explain the capital’s wider setting.
The lower-right legend distinguishes building and transport information, while letters and numbers around the border provide a reference grid. A compass rose sits in the open harbour water. Together, these practical devices make the print rewarding for detailed study: tracing a familiar street, locating an island or comparing a district before later expansion altered its surroundings.