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Joan Blaeu, published in Amsterdam, 1662
A magnificent old map of Norway from Joan Blaeu’s Atlas Maior. Entitled Norvegia Regnum, vulgo Nor-Ryke, it follows Norway’s deeply indented coastline and mountain ranges from the southern ports towards the Arctic north, enriched with original hand colouring, ships, heraldry and elaborate cartouches.A stunning certified FINE ART PRINT on heavy textured art paper — not a poster
Unlike most online offerings, our maps are produced entirely in-house, not outsourced to print-on-demand or drop-shipping services. This allows complete control over quality while offering better value. Each map begins with a high-resolution original, carefully enhanced and printed to order using archival papers and pigment inks for exceptional clarity, depth, and longevity. Every piece is personally overseen — no map leaves our workshop unless it is of a quality we would be proud to display ourselves.
Paper choice is essential to the authenticity of our maps. We use specially sourced 190gsm paper made in the UK from pure materials and traditionally pressed with natural woollen felts. This process creates a subtle, randomly textured surface that closely resembles an original antique document. Likewise the use of premium quality ink fully saturates the paper, producing remarkable clarity, depth, and historical character. Colour fastness and sharpness will remain good for in excess of 100 years!
The Old Map Company of Great Britain offers a vast and carefully curated collection of the very finest expertly reproduced vintage maps. Our range includes works by renowned cartographers such as John Speed and Willem Blaeu, covering Scotland, England, and beyond. Free UK courier delivery is included, with EU, USA, and worldwide shipping available at cost and calculated at checkout. If you need assistance, our team is always happy to help you choose the perfect map.
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Joan Blaeu published this imposing map of Norway in Amsterdam in 1662 as part of his celebrated Atlas Maior. Its title, Norvegia Regnum, vulgo Nor-Ryke, identifies the country in Latin and by its familiar Scandinavian name: the Kingdom of Norway, commonly called Nor-Ryke.
It was one of the most important seventeenth-century printed maps devoted specifically to Norway. Rather than treating the country as a narrow edge of a general map of Scandinavia, Blaeu gave its long coastline, mountain ranges, settlements and administrative geography a sheet of their own.
The geographical foundations of the map can be traced to a survey commissioned by King Christian IV of Denmark and Norway in 1631. The king wanted improved maps of his extensive realm, which then included Denmark, Norway and territories that extended into parts of present-day Sweden.
Blaeu gained access to information produced by this survey and used it when preparing the Norwegian maps for his atlas. The resulting engraving was substantially more detailed than many earlier European representations of the country.
Its appearance in 1662 was significant. The treaties of Roskilde in 1658 and Copenhagen in 1660 had recently altered the boundary between Denmark-Norway and Sweden. Blaeu’s map therefore belongs to a period when the political geography of Scandinavia was being reconsidered as well as redrawn.
Norway’s coastline is the map’s dominant feature. Islands, channels, bays and fjords create an intricate western edge quite unlike the smoother outlines used on less detailed maps of the period.
The coast was central to Norwegian life. Mountainous terrain made travel over land difficult, while sheltered sea routes connected fishing communities, trading ports and regional centres. Bergen, Trondheim and Stavanger were important points within this maritime network.
Numerous islands are named, and the engraving gives particular attention to the entrances of fjords and navigable coastal waters. Ships placed in the surrounding seas reinforce Norway’s dependence upon fishing, coastal trade and communication by water.
Behind the coast, Blaeu fills the interior with closely grouped pictorial mountains. These are not intended as precisely measured contours, but they successfully convey the ruggedness of the Norwegian landscape.
River valleys and passes provided the most practical routes through this mountainous country. Settlements appear in the spaces between ranges, while large areas of the interior remain comparatively empty.
That contrast between the detailed coast and the sparsely populated uplands reflects both Norway’s physical geography and the information available to seventeenth-century surveyors. Coastal districts were more accessible and better known to European navigators than the remote interior.
At the time the map was published, Norway formed part of the kingdom of Denmark-Norway. Political power was centred in Copenhagen, but Norway retained its own geography, regional identities and long-established trading connections.
Christiania, the city now known as Oslo, had been rebuilt and renamed by Christian IV following a destructive fire in 1624. Bergen remained Norway’s most important commercial centre and a major participant in the North Sea trade. Trondheim was the principal city of the north and the historic seat of the archbishopric, while Stavanger served the southwestern coastal districts.
These towns appear relatively small on the engraving, but their positions reveal the structure of Norwegian settlement: ports and regional centres separated by mountains, fjords and considerable distances.
The Atlas Maior was the most ambitious achievement of the Blaeu publishing house. Its eleven-volume Latin edition contained almost six hundred maps, accompanied by extensive geographical and historical descriptions.
The volumes were large, expensive and produced to impress. Maps could be supplied with carefully applied hand colouring, turning each atlas into a work of art as well as a geographical reference.
Blaeu’s Norway combines those two purposes particularly well. Its coastal information and named settlements had practical geographical value, while its decorative cartouches, heraldry, ships and colouring gave the sheet the splendour expected of one of Europe’s finest atlases.
For anyone connected with Norway, Bergen, Trondheim, Stavanger, Oslo or the country’s western fjords, the map offers a remarkable view of the kingdom during the seventeenth century.