£35.55 – £59.95Price range: £35.55 through £59.95
Frederik de Wit · Amsterdam · c.1680
A fine art print of Frederik de Wit’s richly detailed seventeenth-century map of Ireland. It divides the island into Ulster, Connacht, Leinster and Munster and records counties, towns, roads, ports, rivers, lakes and mountains.
Decorative cartouches, the Irish coat of arms and delicately coloured boundaries make this one of the most attractive maps of Ireland produced during the Dutch Golden Age of cartography.A stunning certified FINE ART PRINT on heavy textured art paper — not a poster
Unlike most online offerings, our maps are produced entirely in-house, not outsourced to print-on-demand or drop-shipping services. This allows complete control over quality while offering better value. Each map begins with a high-resolution original, carefully enhanced and printed to order using archival papers and pigment inks for exceptional clarity, depth, and longevity. Every piece is personally overseen — no map leaves our workshop unless it is of a quality we would be proud to display ourselves.
Paper choice is essential to the authenticity of our maps. We use specially sourced 190gsm paper made in the UK from pure materials and traditionally pressed with natural woollen felts. This process creates a subtle, randomly textured surface that closely resembles an original antique document. Likewise the use of premium quality ink fully saturates the paper, producing remarkable clarity, depth, and historical character. Colour fastness and sharpness will remain good for in excess of 100 years!
The Old Map Company of Great Britain offers a vast and carefully curated collection of the very finest expertly reproduced vintage maps. Our range includes works by renowned cartographers such as John Speed and Willem Blaeu, covering Scotland, England, and beyond. Free UK courier delivery is included, with EU, USA, and worldwide shipping available at cost and calculated at checkout. If you need assistance, our team is always happy to help you choose the perfect map.
Speedy delivery A beautiful representation
Got there in time and loves it! Cheers David [Gift from US to UK]
Thanks Lauren. We received it today - it's gorgeous! Thank you, Ellan
Thank you for your prompt service. I have a gallery and framing business in South Wales. I'm so pleased it is printed in the UK
My Isles of Scilly map arrived safely and I'm delighted with it!
The print arrived safely and we're delighted with it - a lovely reminder of our honeymoon 15 years ago.
I have just received them! I'm sure our clients will be pleased with them and there could be more projects off the back of this one where we can use more. [Interior Designers]
I just received my map of Ireland by Ewart today and, as usual, I am delighted by its quality. The crispness and fineness of detail is excellent and the colour reproduction surpasses my expectations. Please relay my thanks to Steve for another fine effort!
Many thanks, Lauren. Very pleased with the map and the service: would recommend The Old Map Company to anyone interested in Old Maps.
Many thanks, the map arrived safely this morning, and I’m really pleased with it. A stunning reproduction, just as I had hoped. I will keep browsing your website, and may yet be tempted by more of your items! Have a great weekend.
Just arrived, wonderful map! Thanks very much!
The map – beautiful – arrived safely, very many thanks.
Thank you, I have already found the map. It’s wonderfull! Good luck! Rasa
My apologies for the very late reply. I wanted to reach out to thank you so much for rushing my order. My partner absolutely loved it. I am amazed with the service so that is a five-star from me. I wish you all the best.
Frederik de Wit published this impressive map of Ireland in Amsterdam during the late seventeenth century. Its Latin title, Regnum Hiberniae, identifies Ireland as a kingdom divided into four principal parts: Ultonia, Conachia, Lagenia and Momonia—the provinces now known as Ulster, Connacht, Leinster and Munster.
The plate first appeared in de Wit’s atlases around 1680. It was subsequently included in later Dutch atlases, which explains why surviving impressions are sometimes dated 1680, 1682, 1688 or 1690.
Unlike maps that treat Ireland as a small component of the British Isles, de Wit devotes the entire plate to the island. This larger format allowed him to include an extensive network of settlements, roads, waterways and coastal features.
Colour is used to distinguish Ireland’s historic provincial and county divisions. Ulster occupies the north, Connacht the west, Leinster the east and Munster the south.
Their Latin names—Ultonia, Conachia, Lagenia and Momonia—appear prominently on the map. County boundaries are traced within the provinces, creating an administrative framework that remains immediately recognisable despite the map’s seventeenth-century spelling and geography.
The division of Ireland into four provinces was already ancient when de Wit produced his map. His engraving combines this inherited regional structure with the county system that had developed under English administration.
De Wit distinguishes between different classes of road, including principal routes and lesser connections. These lines reveal how journeys were organised before canals and railways transformed travel across Ireland.
The network links inland settlements with Dublin and other coastal towns. Numerous smaller places are included, making the map particularly rewarding for anyone researching Irish counties, local history or family connections.
Ports, bays, islands and river mouths are carefully delineated around the coast. These details reflect the importance of maritime travel and trade at a time when movement by sea could be faster and more reliable than travelling overland.
Ireland’s rivers and lakes form one of the map’s clearest geographical structures. The Shannon crosses the interior, while Lough Neagh, the lakes of the west and numerous smaller waterways are prominently represented.
Mountains are shown pictorially as groups of individually engraved hills. They do not provide the measured elevation found on modern maps, but they convey the broad distinction between Ireland’s upland regions and its more open central country.
Forests, boggy ground, river crossings and coastal inlets add further texture to the landscape. Together, these features show how a seventeenth-century European mapmaker understood the physical character of Ireland.
Frederik de Wit belonged to the celebrated Amsterdam map trade of the Dutch Golden Age. His maps combined detailed geographical information with engraving intended to make each sheet an attractive work of art.
Two decorative cartouches balance the composition of this Ireland map. The Irish coat of arms, represented by a harp, is held aloft by cherubs, while the title and scales are enclosed within further ornamental engraving.
Original colour emphasises the provincial and county boundaries without overwhelming the finely engraved place names, roads and topographical symbols.
This map was produced long before the Ordnance Survey began its systematic mapping of Ireland in the nineteenth century. Distances, coastlines and mountain ranges should therefore be understood as seventeenth-century representations rather than modern survey measurements.
That difference is part of the map’s historical importance. It records how Ireland was described and visualised more than three centuries ago, preserving older spellings, settlement patterns, transport routes and administrative divisions.
For anyone connected with Ireland or its four historic provinces, de Wit’s map offers both an attractive decorative print and a fascinating portrait of the island during the late seventeenth century.