£35.55 – £59.95Price range: £35.55 through £59.95
A general map of Devon contracted from Benjamin Donn’s twelve-sheet survey, engraved by Thomas Jefferys and published in London in 1765.
This remarkably clear vintage map brings eighteenth-century Devon together on a single sheet. Coloured boundaries distinguish the county’s historic hundreds, while roads connect Exeter, Plymouth, Barnstaple, Bideford, Tiverton, Tavistock, Honiton and numerous smaller communities.
Roman numerals divide the engraving into twelve sections corresponding to the sheets of Donn’s celebrated large-scale survey. Lundy appears off the north coast, Exeter is enclosed within its own historic county boundary and a fine compass rose occupies the open space above Somerset.
Reproduced as a fine art print on subtly textured paper, the map provides an absorbing record of Devon before railways and modern roads transformed travel across the county.A stunning certified FINE ART PRINT on heavy textured art paper — not a poster
Unlike most online offerings, our maps are produced entirely in-house, not outsourced to print-on-demand or drop-shipping services. This allows complete control over quality while offering better value. Each map begins with a high-resolution original, carefully enhanced and printed to order using archival papers and pigment inks for exceptional clarity, depth, and longevity. Every piece is personally overseen — no map leaves our workshop unless it is of a quality we would be proud to display ourselves.
Paper choice is essential to the authenticity of our maps. We use specially sourced 190gsm paper made in the UK from pure materials and traditionally pressed with natural woollen felts. This process creates a subtle, randomly textured surface that closely resembles an original antique document. Likewise the use of premium quality ink fully saturates the paper, producing remarkable clarity, depth, and historical character. Colour fastness and sharpness will remain good for in excess of 100 years!
The Old Map Company of Great Britain offers a vast and carefully curated collection of the very finest expertly reproduced vintage maps. Our range includes works by renowned cartographers such as John Speed and Willem Blaeu, covering Scotland, England, and beyond. Free UK courier delivery is included, with EU, USA, and worldwide shipping available at cost and calculated at checkout. If you need assistance, our team is always happy to help you choose the perfect map.
Speedy delivery A beautiful representation
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Thanks Lauren. We received it today - it's gorgeous! Thank you, Ellan
Thank you for your prompt service. I have a gallery and framing business in South Wales. I'm so pleased it is printed in the UK
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The print arrived safely and we're delighted with it - a lovely reminder of our honeymoon 15 years ago.
I have just received them! I'm sure our clients will be pleased with them and there could be more projects off the back of this one where we can use more. [Interior Designers]
I just received my map of Ireland by Ewart today and, as usual, I am delighted by its quality. The crispness and fineness of detail is excellent and the colour reproduction surpasses my expectations. Please relay my thanks to Steve for another fine effort!
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Many thanks, the map arrived safely this morning, and I’m really pleased with it. A stunning reproduction, just as I had hoped. I will keep browsing your website, and may yet be tempted by more of your items! Have a great weekend.
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Thank you, I have already found the map. It’s wonderfull! Good luck! Rasa
My apologies for the very late reply. I wanted to reach out to thank you so much for rushing my order. My partner absolutely loved it. I am amazed with the service so that is a five-star from me. I wish you all the best.
Benjamin Donn’s general map of Devon was published in London on 1 February 1765. Its decorative cartouche describes it as A Map of the County of Devon, contracted from the 12 Sheet Survey by Benjamin Donn and names Thomas Jefferys, Geographer to His Majesty, as its engraver.
This distinction matters. The engraving is not the enormous twelve-sheet map reproduced at a greatly reduced scale. It is the separate general view and index map supplied with bound copies of Donn’s survey, designed to present the entire county on one manageable sheet.
Strong horizontal and vertical lines divide the map into twelve numbered sections. Roman numerals I to IV run across the north, V to VIII through the centre and IX to XII along the south.
Each section corresponds to one sheet of Donn’s much larger survey. A reader consulting the bound volume could use this general map to identify the correct detailed sheet before turning to it.
The grid is therefore not an ordinary latitude and longitude system. It reveals the map’s original function and provides a direct visual connection with one of the most ambitious English county surveys of the eighteenth century.
In 1759, the Society for the Encouragement of Arts, Manufactures and Commerce offered a £100 award for an original county survey produced at one inch to the mile. Donn began surveying Devon at about this time and reportedly measured thousands of miles of roads and rivers during the following years.
His completed twelve-sheet map became the first successful entry for the Society’s county-mapping award. It was engraved by Thomas Jefferys and published on 1 January 1765, with this general index map following one month later.
This was several decades before the Ordnance Survey began publishing its own county mapping. Donn’s work consequently belongs to an important period when individual surveyors were applying measurement, trigonometry and astronomical observation to the production of increasingly accurate local maps.
The present engraving preserves the geographical structure of that pioneering survey while making the county legible as a whole.
Coloured lines divide Devon into its historic hundreds. Their names appear in large capital letters across the map, including Braunton, Tiverton, Halberton, Crediton, Exminster, Plympton and many others.
The boundaries create an intricate pattern that bears little resemblance to modern local government divisions. Several are irregularly shaped, and their names sometimes extend across roads, rivers and settlements.
These divisions were used for administration, taxation and justice. Their prominence makes them one of the map’s most recognisable historical features and allows the organisation of eighteenth-century Devon to be seen immediately.
Roads form a dense network across the county. They converge upon Exeter and connect market towns including Tiverton, Crediton, Honiton, Okehampton, Tavistock and Totnes with the ports and coastal communities.
Figures placed along the routes record distances between settlements. The detailed gallery images show these measurements especially clearly around Tiverton, Bickleigh, Cullompton and Exeter.
Church symbols distinguish numerous villages, while larger lettering gives visual importance to the principal towns. This combination of roads, distances and settlement symbols reflects the practical origins of Donn’s survey: it was intended to describe how Devon was connected, not merely to outline its shape.
Exeter is enclosed within a small coloured boundary and explicitly labelled “Exeter County”. This is not a cartographic mistake.
Henry VIII granted Exeter county status in 1537, giving the city judicial and administrative independence from the surrounding county of Devon. Donn’s map records that arrangement by treating Exeter as a distinct territory within the wider county.
Roads radiate from the city towards Crediton, Tiverton, Honiton, Topsham, Exminster and the country farther west. The enlarged map detail also shows nearby places including Heavitree, Pinhoe, Alphington and St Thomas.
Lundy appears in the Bristol Channel at the upper-left corner. A note beside the island associates it with Braunton Hundred, an unusual historical detail that would be easy to miss without examining the artwork closely.
Devon’s long coastline is framed by the Bristol Channel to the north and the English Channel to the south. Bideford Bay, Start Bay and Tor Bay are named, together with headlands, ports and coastal settlements.
The compass rose occupies the open sea northeast of Devon. Elsewhere, references to compass variation reflect the importance of accurate bearings to eighteenth-century surveyors and navigators.
The engraving balances three prominent elements around the county. An elaborate rococo title cartouche fills the lower-right corner, a large compass rose occupies the upper-right and an explanation of symbols appears at the lower-left.
The scale of statute miles is placed beneath the cartouche. Around the outer border, degree markings provide a further framework for the geography.
These details give the map visual character without overwhelming its practical information. The result is an unusually revealing portrait of Devon: a county divided into ancient hundreds, crossed by measured roads and presented as the key to a much larger pioneering survey.