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The map bears two complementary titles. The decorative cartouche at the upper left reads The Merce or Shirefdome of Berwick, while the more elaborate cartouche below gives the Latin title Mercia vulgo Vicecomitatus Bervicensis. It also acknowledges its geographical source with the words Auct. Timothei Pont—“by Timothy Pont.”
Together, these inscriptions identify the historic county of Berwickshire and its broad, fertile lowland known as the Merse. The finished copperplate map was published by Joan Blaeu in Amsterdam in 1654 as part of the first printed atlas devoted to Scotland.he remarkable surveys of Timothy Pont, the map records Duns, Greenlaw, Coldingham, Eyemouth, Chirnside, Hume and many smaller communities as they were known around the close of the sixteenth century. Berwick stands prominently at the mouth of the Tweed, while the surrounding lands of Lothian, Lauderdale, Teviotdale and Northumberland frame this historic county map.
Joan Blaeu published the finished engraving in Amsterdam in 1654, enriching Pont’s geography with finely drawn hills, settlements and elaborate cartouches. Reproduced as a characterful fine art print, it makes a thoughtful connection with the Scottish Borders for a family home, study or memorable gift.A stunning certified FINE ART PRINT on heavy textured art paper — not a poster
Unlike most online offerings, our maps are produced entirely in-house, not outsourced to print-on-demand or drop-shipping services. This allows complete control over quality while offering better value. Each map begins with a high-resolution original, carefully enhanced and printed to order using archival papers and pigment inks for exceptional clarity, depth, and longevity. Every piece is personally overseen — no map leaves our workshop unless it is of a quality we would be proud to display ourselves.
Paper choice is essential to the authenticity of our maps. We use specially sourced 190gsm paper made in the UK from pure materials and traditionally pressed with natural woollen felts. This process creates a subtle, randomly textured surface that closely resembles an original antique document. Likewise the use of premium quality ink fully saturates the paper, producing remarkable clarity, depth, and historical character. Colour fastness and sharpness will remain good for in excess of 100 years!
The Old Map Company of Great Britain offers a vast and carefully curated collection of the very finest expertly reproduced vintage maps. Our range includes works by renowned cartographers such as John Speed and Willem Blaeu, covering Scotland, England, and beyond. Free UK courier delivery is included, with EU, USA, and worldwide shipping available at cost and calculated at checkout. If you need assistance, our team is always happy to help you choose the perfect map.
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Got there in time and loves it! Cheers David [Gift from US to UK]
Thanks Lauren. We received it today - it's gorgeous! Thank you, Ellan
Thank you for your prompt service. I have a gallery and framing business in South Wales. I'm so pleased it is printed in the UK
My Isles of Scilly map arrived safely and I'm delighted with it!
The print arrived safely and we're delighted with it - a lovely reminder of our honeymoon 15 years ago.
I have just received them! I'm sure our clients will be pleased with them and there could be more projects off the back of this one where we can use more. [Interior Designers]
I just received my map of Ireland by Ewart today and, as usual, I am delighted by its quality. The crispness and fineness of detail is excellent and the colour reproduction surpasses my expectations. Please relay my thanks to Steve for another fine effort!
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Many thanks, the map arrived safely this morning, and I’m really pleased with it. A stunning reproduction, just as I had hoped. I will keep browsing your website, and may yet be tempted by more of your items! Have a great weekend.
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The map bears two complementary titles. The decorative cartouche at the upper left reads The Merce or Shirefdome of Berwick, while the more elaborate cartouche below gives the Latin title Mercia vulgo Vicecomitatus Bervicensis. It also acknowledges its geographical source with the words Auct. Timothei Pont—“by Timothy Pont.”
Together, these inscriptions identify the historic county of Berwickshire and its broad, fertile lowland known as the Merse. The finished copperplate map was published by Joan Blaeu in Amsterdam in 1654 as part of the first printed atlas devoted to Scotland.
Original title: Mercia vulgo Vicecomitatus Bervicensis. The Merce or Shirefdome of Berwick Original cartographer: Timothy Pont Publisher: Joan Blaeu First published: Amsterdam, 1654 Area shown: Historic Berwickshire, the Merse and adjoining Border country Source atlas: Theatrum Orbis Terrarum, sive Atlas Novus, Volume V Product type: Fine art reproduction print of the historic map
Timothy Pont travelled extensively through Scotland during the late sixteenth and early seventeenth centuries, recording a country that had never previously been mapped in such local detail. His surviving manuscript work preserves thousands of settlements, rivers, estates, castles and landscape features.
Pont died before he could publish his proposed atlas. His maps and papers were later preserved and prepared for publication with the assistance of Scottish scholars and patrons, notably Sir John Scot of Scotstarvit and Robert Gordon of Straloch. The material eventually reached Joan Blaeu’s celebrated mapmaking workshop in Amsterdam.
Blaeu transformed this accumulated Scottish cartography into a series of substantial engraved maps. Published in 1654, the Scottish volume of his Atlas Novus contained 49 maps and became the first printed atlas of Scotland. The date is important: this Berwickshire plate belongs to that 1654 volume and should not be dated 1645 like Blaeu’s English county maps.
Berwickshire contained two contrasting landscapes. Across its northern reaches rise the Lammermuir Hills, represented on the engraving by tightly grouped pictorial peaks. South and east of the hills lies the Merse, a more open and fertile tract extending towards the River Tweed and the North Sea.
The historic name “Merse” is related to “march”, reflecting the district’s position within the eastern Border country. For centuries these lands stood close to the contested frontier between Scotland and England. Fortified houses and castles were therefore not simply noble residences: they formed part of a landscape repeatedly affected by raids, feuds, armies and shifting political power.
Blaeu’s map names Duns, now the principal town of Berwickshire, along with Greenlaw, which later served as the county town. Coldingham appears near the coast, recalling the ancient religious importance of Coldingham Priory. Eyemouth, Chirnside, Eccles and numerous smaller settlements can also be found among the river valleys and estates.
Hume Castle is shown in the county’s interior. Its elevated position made it one of the most conspicuous Border strongholds and an important place for warning of approaching danger. Other towers and fortified sites are distributed throughout the engraving, reminders of the long insecurity of the eastern marches.
The North Sea forms the eastern edge of the map, labelled in Latin as Germanicus Oceanus. Headlands, bays and small coastal settlements are carefully delineated, with the rocky country around St Abb’s Head and Coldingham giving the shoreline its distinctive form.
The River Tweed defines much of the southern boundary. At its mouth stands the heavily fortified town of Berwick-upon-Tweed, coloured prominently in red. Although Berwick had been under English control since 1482, it remained inseparable from the geography and history of the Scottish Borders. Its presence provides an immediate point of recognition and emphasises the strategic importance of the Tweed crossing and coastal route.
Neighbouring districts are named around the edges: Lothian to the north, Lauderdale and Tweeddale to the west, Teviotdale to the southwest and Northumberland to the south. This surrounding geography helps place Berwickshire within the wider Border landscape rather than presenting it in isolation.
The decorative cartouche in the lower-right corner is filled with armed figures and military equipment. One man appears wounded or exhausted while soldiers stand nearby. Blaeu did not explain the scene, but its martial character was especially appropriate for a county whose castles, communities and great families had been shaped by generations of Border warfare.
Elsewhere, the map’s beauty lies in its closely observed detail. Rivers thread through the Merse, hills gather towards the Lammermuirs, and tiny buildings mark places whose names remain familiar more than four centuries later. It is not a modern measured survey, but it preserves an extraordinary impression of how this corner of Scotland was known and understood in Pont’s time.
For anyone with roots in Berwickshire or an affection for the Borders, the map offers more than geographical interest. It brings together the coast, the hills and the old frontier in one richly worked image—a lasting portrait of a Scottish landscape with a powerful sense of place.